Friday, January 23, 2015

More Ballet Quibbles and Bits

SAB's Holiday Showcase by Advanced Students

Because I usually work as a volunteer at School of American Ballet on Thursday afternoons, on the Thursday before the holiday break in December I was lucky enough to be included in the audience of staff and faculty for SAB's Advanced Division students' performance of variations they had learned during the fall.  It included all of the advanced students who were physically able (injuries and flu had taken a toll) performing variations from 'Raymonda Variations', 'La Source', 'Agon', 'Stars and Stripes', 'Donizetti Variations', 'Symphonie Concertante' (all by Balanchine), 'Russian Seasons' (by Alexei Ratmansky) and probably several others that I can't recall.  These were performed by groups of three, four or five students -- or in the case of 'Symphonie Concertante' by the entire class of D girls.

These were all introduced by members of the faculty – Kay Mazzo, Suki Schorer, Susan Pillare, Arch Higgins and Jock Soto.  Ms. Pillare seemed particularly intent on pushing for a revival of ‘Symphonie Concertante’ – perhaps on the SAB workshops program.

The program concluded with two couples each performing the entire Sugarplum pas de deux from Balanchine's 'Nutcracker' -- including the solo variations.  To say that all of these performances were exceptional is an understatement -- but it will do.

SAB's Capstone Program for Advanced Students

The School of American Ballet started a program last year for advanced students who are probably in their final year at the school.  They are identified as 'Capstone' students.  While all of them probably yearn for an apprenticeship with New York City Ballet there are a limited number of opportunities there each year -- dictated by retirements, injuries, but most of all by budget constraints.

The program which was started last year prepares these students to take the next steps in their lives.  Just before the holiday break posters created in group research projects by Capstone students were posted in the main hall of the School.  They covered companies that will be auditioning dancers at the School this winter -- Los Angeles Ballet, the National Ballet of Canada, the Joffrey Ballet, Miami City Ballet, Washington Ballet and one or two other companies -- highlighting interesting things about their cities, their repertory, their SAB alumni, their directors (sometimes also SAB alumni), their performance schedules -- whatever these teenagers think their fellow students should know before their auditions during the winter.

These youngsters have received wonderful ballet training at SAB.  Now they're also preparing for the next step -- whether it's into coveted apprenticeships at NYC Ballet, into the wider world of dance or on to some other option.  Take a look at the impressive list of professional dance opportunities that the School's alumni have taken in the last five years here:



Nutcracker Debuts:

On the NYC Ballet facebook page, they announced a record number of twelve debuts in the performance of 'George Balanchine's The Nutcracker' on Sunday, December 28th:

https://www.facebook.com/nycballet/photos/a.194499540528.254487.112319735528/10155004814490529/?type=1&theater

Brian Siebert wrote about some of them in the 1/2/2015 NY Times.

The long run of 'The Nutcracker' and the large number of featured roles gives the company an opportunity to showcase promising  members of the corps -- only one of the dozen is a soloist.

Kennedy Center Honors Segment on Pat McBride: 

On December 30th, CBS aired the 2014 The Kennedy Center Honors.  One of the honorees this year was Patricia McBride, a favorite NYC Ballet ballerina who danced with the company from 1959 to 1989 -- 28 years as a principal.  Among the roles George Balanchine created roles for her are 'Jewels' (Rubies); 'Brahms-Schoenberg Quartet' (2nd movement); 'Who Cares?' (The Man I Love & Fascinatin' Rhythm); 'Harlequinade' (Columbine); 'Divertimento from Le Baiser de la Fee'; and 'Coppelia'.  Jerome Robbins memorably cast her in 'Dances at a Gathering' (girl in pink); 'In the Night'; 'Goldberg Variations'; 'The Four Seasons' (Fall); and others.  Among her partners were Edward Villella, Helgi Tomasson, Mikhail Baryshnikov and Peter Martins.

After leaving NYC Ballet, McBride and her husband, Jean-Pierre Bonnefoux, have become artistic directors of the Charlotte Ballet & School and the Chautauqua Institute School of Dance (summer program).  

The segment saluting McBride in the Honors program was produced by Damian Woetzel, another well-known former NYCB principal dancer, who is Artistic Director of the Vail International Dance Festival, among many other roles.


Christine Baranski introducing the Patricia McBride segment of the Kennedy Center Honors.
Christine Baranski, a star of the CBS show 'The Good Wife' introduced the biographical film on McBride with eloquence and class.  Following the film, Tiler Peck (NYCB principal) danced 'Fascinatin' Rhythm' from 'Who Cares?'; Lauren Lovette (NYCB soloist) and Jeffrey Cirio (Boston Ballet principal) danced part of the 'Rubies' pas de deux; Misty Copeland (ABT soloist) danced a variation from Balanchine's 'Tschaikovsky Pas de Deux'; Tiler Peck and Jared Angle (NYCB principals) danced a pas de deux from 'Dances at a Gathering'; and Alessandra James, Anna Gerberich, Sarah Hayes Harkins, and Pete Walker (Charlotte Ballet dancers) led off 'I Got Rhythm', the finale from 'Who Cares?' with all of the other dancers joining in for the ending.


Misty Copeland (ABT), Alessandra James (Charlotte Ballet), Jeffrey Cirio (Boston Ballet), Pete Walker (Charlotte Ballet), Anna Gerberich (Charlotte Ballet), Tiler Peck (NYCB), Sarah Hayes Harkins (Charlotte Ballet), Jared Angle (NYCB), and Lauren Lovette (NYCB) backstage at Kennedy Center Opera House.  Photo from Jeffrey Cirio
Tiler was in Broadway babe mode for 'Who Cares?' -- a little too much pizzazz for me, but probably just right for the CBS audience.  
Lauren Lovette and Jeffrey Cirio in the pas de deux from 'Rubies'.
Lauren and Jeffrey looked great together and danced with supreme assurance in the snippet from 'Rubies'.  Misty danced with confidence and style in the female variation from the Tschaikovsky pdd.  Jared and Tiler were wonderful in the Robbins snippet.  The four dancers from Charlotte looked grand in 'Who Cares?' which provided a great finale for the McBride segment.


Now, if the Kennedy Center Honors/CBS producers and editors could just have been induced to film this segment with fewer close-ups, less chopping off of feet, and without cutting away to the First Lady looking bored, it would have been a totally splendid tribute to a truly great American prima ballerina.

Among the audience 'reaction' shots we spotted Heather Watts and Damian Woetzel and Lauren Lovette's swain, Chase Finlay (NYCB principal).  And here's a glamorous shot of Ms. Lovette in the Kennedy Center lobby before or after the show.


Lauren Lovette in the lobby of the Kennedy Center in Washington for the Kennedy Center Honors.

Look for a longer post about Patricia McBride's outstanding career at New York City Ballet coming soon.

New Role at SAB for Jon Stafford  

I just learned that in addition to his post-performing career as a ballet master at NYC Ballet and a faculty member at the School of American Ballet, Jon Stafford will be advising SAB's 'capstone' students (see above) on their professional careers.  Not only is Jon a recent (and relatively young) retiree from the company and a trusted SAB teacher, but he also has wide connections with dancers and directors throughout the dance world which can help the 'capstoners' in making smart career moves.

Apprentices Going from SAB to NYC Ballet 

At least three School of American Ballet apprentices --  Jacqueline Bologna, Laine Habony and Mimi Staker -- have been given contracts with New York City Ballet following the completion of 'The Nutcracker' season on January 3rd.  And another student -- Miriam Miller -- was named an apprentice by Peter Martins just before the start of the company's Winter Season on January 20th.

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