I was hasty in criticizing JR's photo-mural on the floor of the promenade at New York State (Koch) Theater for encroaching on Philip Johnson's gorgeous space. I still do believe that the space is better left unadorned. But on second and third viewing during subsequent visits, the JR work itself does have resonance. It resembles one of those wonderful ceilings in baroque churches and palaces except that it's underfoot and the glorious gods and goddesses are beloved members of New York City Ballet. The entire piece is in the shape of a giant eye which can best be appreciated from one of the upper rings.
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| JR's eye from the west end of the fourth tier, photo by McClure |
It's interesting to see the audience interact with the piece -- something missing from my first view of the installation at a dress rehearsal. With audience members walking over the floor, casting moving shadows and interacting with the images makes it more interesting. Also, it's surprising to watch them searching for a favorite dancer. And almost shocking to see them lie down next to them.
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Two people lying in the 'pupil' of JR's eye installation at State Theater as others walk by, photo McClure
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The group of dancers forming the 'iris' are like carytids gracefully holding up some far off temple on the Acropolis -- particularly the gorgeous Faye Arthurs in a blush pink leotard.
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| Anthony Huxley and Faye Arthurs in JR's 'iris', photo by McClure |
Here are a few other favorite dancers spotted around the installation in no particular order.
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| Harrison Coll and Rob Fairchild with admirers, photo by McClure |
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| Silas Farley as part of the 'iris', photo by McClure |
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| Ashley Bouder with an observer, photo by McClure |
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| Olivia Boisson in anti-gravity mode, photo by McClure |
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| Craig Hall dreaming among shadows and scuffs, photo by McClure |
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